There’s this island in the ocean

I don’t know which ocean, it’s not like I can check my flight details. I just get here. And I land on this wet pebble road. I can see my dark brown leather boots, my feet taking hesitant steps up the hill.

It’s so foggy, but I can still see the ocean all around the small island through the white floating veils. It feels as if the island, like a round bellied woman, is shy and has shrouded herself in these white silk veils, barely covering her, hiding and revealing at the same time.

I can see stone houses in the distance, wet and slippery, streams of fog sliding down their rooftops. No light, no candles burning at the windows, not a soul. I keep walking up that hill. As I’m squinting, trying to catch sight of a living soul, I’m starting to wonder what made me come here in the first place. Why in the world would I leave the comfort of my home country for this deserted place in the middle of the ocean?

Because you wanted to leave the past behind, I hear my own voice in my head. You want a new life. You said goodbye to all your attachments, another reminder pops up. You no longer wanted the dark cave of the lost. You set them all free. It’s ok, I’ll only be here for a short while, I say to myself in an unconvincing tone.

Everything hurts. As if everything has been pulled and stretched when cords were cut. So my eyes are heavy, my head is tied in a plastic bag, my throat is befriending the cactus stuck in there, my kidneys carry the burden of exhaustion and all my muscles are sore as if I’ve swum and walked all the way here.

Suddenly, I’m back at the school again, feeding the children black grapes.
“Are you all right?” a colleague asks me.
“I think so”, I reply. “I just need to get some fruit.”
“You know, Daniela, I’ve always admired how you are always in charge, always so strong and authoritarian and loving at the same time.”
“Really? I’m just tired, I don’t think there’s anything to admire there.”
And as he’s helping me give out the grapes, I’m popping grape berries in my mouth and suddenly realize I’m dreaming and I’m thinking grapes, no matter how sweet and juicy, are not good in your dreams. So I wake up.

It’s noon when I get out of bed. There’s this pressure in my ears as if I’m underwater. I take off everything, including the bed sheets, put everything in the washing machine and get in the shower. When I get out, I light a candle at my window, one at the bathroom mirror, another one on the kitchen countertop and two more on the table. Time for a new life.

PS Photos taken in Porto, Portugal, in 3-5 September 2016.

 

 

 

 

A dead white rose lying on the hood of a grey car

Was it the impact? I wonder. What is it transitioning to? Everything seems to be a transition. This day is a transition between yesterday and tomorrow. Life is a transition between birth and death. And so on. I didn’t invent this, of course, I’m just expressing truisms. That’s pretty much what I do all the time.

I’ve been thinking about how people need to mention their profession when they introduce themselves. “I’m a driver.” “I’m a teacher.” “I’m a writer.” “I’m a lawyer.” “I’m a manager.” I like the ones ending in “-er” – they seem easier to get out of, easier to change, less dramatic. You can be a doer of something. But when you are a doctor, a judge, a nurse, a model, a director, an artist etc, it does seem as if you are that profession instead of just a doer. It becomes you.

What about the hookers? Two of them tonight, all black from head to toe, leather, hair, everything, smoking while talking on their phones. Transitioning between tricks, cars, clients, hairdos, outfits etc. Hooker is an “-er” ending profession, so they are doers. So it must be easier to change than other unfortunate professions. They can get out of it, right? Unless they are prostitutes.

the eurythmist’s breath

a cover for the piano
a dark shade of purple
evening iris withering
naked feet, wrinkling wood
dust hidden between black toes
falling in full flight
such a feminine masculine presence
an absence no longer longed for
hear the dead speak
a sign
in case of emergency break glass
where’s the exit door?
life must have one

PS Written tonight during a eurythmy performance in Bucharest. 

I am on the sunny side of the airplane

As we’re flying over Amsterdam, I turn and look at the the woman on my right. High hair, a thick layer of foundation, black eyeliner, dark pink lipstick, long pink fingernails, gold watch, white blouse, black jeans and high heeled sandals.

“Excuse me, I need to get up”, I address whoever’s under all that, looking for her eyes.

She smiles, nods and quickly drinks up her cola and then gets up together with her son and makes room so that I can get up and out onto the aisle. There’s a queue at the loo. As I’m walking towards the queue, I look at the other passengers and, when my eyes meet others’, I smile. Some smile back. After a few minutes queuing at the lavatory door, listening to children squeaking and parents raising voices, I get in and, as I lock the door, I am hit by this heavy urine smell. I turn and notice the wet spots on the toilet seat and paper thrown on the floor.

I remember my ten hour flight to Bangkok in February this year, on a huge, twin-aisle aircraft, the lavatory almost big enough to move freely in it, beautifully scented and decorated with small vases of fresh flowers. Oh, and the lemon scented hand cream by the sink! And the smiling crew, who seemed to be heading to their holiday destination, as well. A hell of a trip!

I check my face in the mirror and smile to myself. A friend’s voice sounds in my head, bringing back the image of us dancing together in what used to be a very beautiful dance studio: “On doit s’obliger a sourire, Daniela! Toujours!”

Shortly after, London welcomes me with her favorite shade of grey.

Written in my diary during my Bucharest – London flight on August 25, 2016.

Heavy

like the moon
I empty myself of my self
and become new
once a month
I’m again
so full of myself

the hookers shrouded
in their heavy perfume
their faces covered up
in their heavy makeup
wearing their heavy breasts
their heavy hearts

the church is dark tonight
no candles burning
for the dead or for the living

“How are you?”
“Fine, I guess…”
“What’s with the sadness?”
“Oh, that… It’s just the bottom side of happiness.”
“You think? Looks rather deep to me…”
“Oh, thank you! I’m working on it. You know, the deeper the sadness, the higher the happiness that follows.”

“Move that heavy ass!”
the robot voice
of the wheelchair night prophet
orders

PS I want to sleep early tonight, so I figure out a way to make my run last shorter: I make it more intense. The same must apply to life.

I’m curious if I still have it in me

I take my running nose out for a run tonight. I love my town again. I feel I live in this small town on an island in the city center, where we form this cosy community, in which everyone knows everyone. We all shook together in the earthquake three nights ago and no one talks about that. We just send compassionate looks to the cracked walls of our houses and distant, encouraging hugs to everyone we meet in the streets. I’m in this countryside part of the city and I love it. I might even start growing my own tomatoes again, who knows.

The hookers and their pimps, all wearing black tonight, are cracking seeds, spitting their shells on the asphalt around their feet and stepping on them with their black shoes, in their dance around a black car where music is coming from and a driver is checking his phone. It’s still early.

And there is hope. I feel it sprouting underground, all covered up in black soil and dead leaves. The gnomes are keeping it warm and molding it into a diamond. It shall sprout in spring. And in our community of hope spring can come anytime.

PS The earthquake helped release some burdens, so it’s goodbye time again:

[youtube https://www.youtube.com/watch?v=kpDLelAnecE&w=560&h=315]

2.11 am

I’m in my bed in Bucharest, checking flights to Konya. Just as the search produces results, the room starts shaking. Ok, I say to myself, it’s an earthquake, it’s an earthquake, just breathe. And I don’t move, I just witness the tension of the earth releasing and my own building up. The earth stopped shaking 9 minutes ago and I haven’t.

For a moment there, I thought the walls might give in (I live in this very old house), so my mind started reciting a prayer. Numerous layers of thought and feeling simultaneously active. There’s the prayer level, the fear level, the anger level, the regret level, the gratefulness level, the stupid level, the practical, what-to-do level, the ‘other people’ level, the love-of-my-life level, the what-the-fuck-am-I-still-doing-here level, the passive level and others I have no record of.

I watched “The lake house” tonight, it finished about 40 minutes before the earthquake. I was crying for half of it. And as the earthquake’s unfolding (How long did it last, anyway? How many minutes? How many years?), my loneliness surfaces again just like this wave from deep within the earth is surfacing now. I could die here. Or anywhere, for that matter. Have I died already? Am I still waiting to meet you (again)? Are you still out there?

Later update:

Since I was looking into travelling to Konya, I thought consulting Rumi on the current issue might be interesting, so here’s what he says:

“Who makes these changes?
I shoot an arrow right.
It lands left.
I run after a deer and find myself
chased by a hog.
I plot to get what I want
and end up in prison.
I dig pits to trap others
and fall in.
I should be suspicious
of what I want.”

(Rumi, Selected poems, Penguin Classics, London, 2004, opened radomly at page 110)

Only one hooker tonight

High heels, black leather pants, a stripe of skin showing between the belt and the hem of a tight jacket, arms folded over her ribs in a tight hug, long, curly, red hair, big everything. I look at her. She looks at me. Shortly, a taxi pulls up in front of her and she slowly walks to the back door on the right, opens it and gets in. Is he a regular, I wonder.

Having stopped to witness the scene, I rub my right ear feeling a little embarrassed and then resume my run. If I were a hooker, I’d probably look something like that, I think. Though my hair would probably be shorter. And not red. Probably. But the thought is quickly chased away by a wave of nausea. Dinner again. The same type of very fat cream. This time under street lights, while walking home.

When I used to smoke, if I was sad, I used to make myself sick. I smoked until the source of my tears became impossible to trace. Am I now trying to repeat the experience using cream instead?

Two guys fight over a parking space. One three times the size of the other. The small one is like a pekingese – hysterical, rude, not very bright and annoying. His opponent, a rare crossbreed between a pit-bull and a fluffy Newfoundland – intelligent, strong, quiet and with the self-confidence of knowing exactly when to deliver the final bite. I disappear before the show ends.

This newly installed cold

All the night walkers have been driven into their homes, so I discover I have the streets to myself. To be perfectly honest, I wouldn’t be out running tonight either had I not drunk that 35% fat cream. Yes, that was dinner. At the light of the fridge. Literally.

So to prevent myself from smashing my scale tomorrow morning because of seeing the extra two hundred grams too real to deny, I run. I run until nothing hurts except everything. And I feel pathetic and sad and what seemed not so long ago to be perfect is horrible now and I just hate my life.

I make a right turn and I almost bump into another runner. Another girl. The first one I’ve seen in this area except me in the past year, since I moved here. Makes me wonder what she had for dinner.

Reporting on the hookers: they are wearing long pants, platforms and thick, fluffy waist jackets and are so much less vocal than during summer nights. Two are smoking quietly, while a strong wind is blowing, forcing them to make sudden head turns to free their lips from the tyranny of their hair.